TRINUMERAL

Trinumeral Presents

TRINUMERAL

Flying Lotus, Break Science, Blockhead, Teebs

Wed, December 12, 2012

6:00 pm

$40.00 - $45.00

This event is 18 and over

Shows will be at Terminal West as well as the King Plow Art Gallery.

Flying Lotus
Flying Lotus
This fall, Flying Lotus releases Until The Quiet Comes, the long-awaited follow-up to 2010's Cosmogramma. Composed, according to FlyLo, as "a collage of mystical states, dreams, sleep and lullabies", Until the Quiet Comes has the distinct feel of this nocturnal trip. From the twitching descent into a subconscious state and the out-of-focus time-ether of the journey that follows, the sound is an unhinged, yet elegant evolution of the melodic and rhythmic interplay that is woven into the DNA of Flying Lotus' aural personae. The album, featuring guests Erykah Badu, Laura Darlington, Niki Randa, Thundercat & Thom Yorke, is set for release on October 1 (2 in N. America), 2012 on Warp Records.

To celebrate the release, Lotus will embark on an extensive period of touring, hitting cities across North America, the UK and Europe. More shows around the globe will be announced soon. FlyLo's recordings and live performances are the center of a musical web that stretches far from the vibrant sprawl of Los Angeles – whether it's The Weeknd, Earl Sweatshirt or Venus Williams (!) joining him on-stage at various shows this year, or FlyLo spending some studio time with Black Hippy's inimitable SchoolBoyQ. All this stylistic mingling and genre-melting has contributed significantly to shift music in a direction that makes intellectual leaps without forsaking the all-important heft of a bassline or unimpeded 'swing' of a drum beat – the same way so many masters of soul music have infused their songs for lovers and dancers with brilliant and heady subtext for decades. Until The Quiet Comes follows this tradition while clearing a path distinctly it's own, which is a mark of a classic
Break Science
Break Science
What separates Break Science from the other bands in 2011's burgeoning electronic scene? Try over 30 years combined experience in music, performing with and producing many of today's hottest artists and living legends. Adam Deitch and Borahm Lee have worked with premier artists- everyone from Wyclef Jean and the Fugees, Raekwon
and GZA of the Wu Tang Clan, to reggae/dub legend Lee Scratch Perry and
Miles Davis collaborator John Scofield.

Raised in the cultural hotbed of New York City, Deitch and Lee fuse the city's rich musical legacy- jazz, funk, soul, with a deep-rooted connection to its hip-hop heritage to create their own take on modern electronic music. Armed with Deitch's thunderous breakbeat style on the drums and Lee's seasoned trip-hop/dub aesthetic on keyboards and laptop, their instrumental styles are perfectly interwoven within their beautiful, banging and extremely danceable tracks. This sound is bound to make a major mark on the modern musical landscape.
Blockhead
Blockhead
Tony Simon, a/k/a Blockhead, has been making and releasing utterly distinctive, funky and emotive music for the last two decades. 

Blockhead grew up in downtown New York City. As the son of an artist, surrounded by visual culture, he early on found that his passion was for music, for the sonic. A fan of a whole range of sounds, especially hip-hop, Blockhead steadily built a tremendous collection of tapes and later CDs from innumerable artists, a quiet accumulation of knowledge and know-how. 

After a brief stint as a rapper, he realized his calling was behind the boards and not on the mic – and from there he began to produce beats. Since making that decision, he's kept pretty busy: carving a niche as a sought-after underground beatmaker that people call when they want something special. 

Blockhead produced nine tracks on Aesop Rock's critically acclaimed album “Labor Days.” Additionally he produced half the tracks on Aesop's follow up EP, “Daylight.” He has also worked with other indie giants Atmosphere, Murs, Mike Ladd and Illogic. In between, he found time to complete a break beat album entitled “Blockhead's Broke Beats,” with ten hard-hitting instrumental tracks, which was released on Mush Records, the US home of cLOUDDEAD.

To understand Blockhead’s Stateside presence and gravitas – look no further than the fact that he has also contributed three tracks (including the first single) for Cage’s “Hell’s Winter” on Def Jux. The other producers on the project are DJ Shadow, El-P and RJD2. 

All this occurred simultaneously to his debut album on Ninja Tune, “Music By Cavelight,” described as “one of the most fantastically good albums you’re going to hear this year” (Sunday Telegraph) and “a beautiful record” (Metro), with Blockhead himself tipped as “definitely one to watch” (Touch.) 
Blockhead returned in 2005 with “Downtime Science,” another set of deep, emotional instrumental hip hop tracks, this time dedicated to the downtown area of Manhattan where he grew up and has lived his entire life, encompassing all the attitude, anger and edginess of the neighborhood. This expansive album also features some melancholy reflections upon failed relationships and the promise of future loves.

"The Music Scene," was released in 2009 to both critical acclaim and commercial success – launching Blockhead on a global string of headlining dates ranging from Pittsburgh to Poland – where he participated in the world famous Zubroffka festival, providing a live score for some of Charlie Chaplin’s earliest films. Blockhead followed this album with “Interludes After Midnight,” further showcasing his development as a solo artist with a unique voice.

This brings us to the present, and 2014 is the year of “Bells and Whistles,” the latest release from Blockhead and a bold artistic statement unlike his previous work. According to Blockhead – the naming of the album speaks to emerging trends in music he is seeking to address: “The whole idea behind the album is that music has gotten so far away from just being music. I think that whole way of thinking, relating to music and art in general, is bullshit. I don't want to use those tactics to distract people or create a buzz that's separate from my album. I want to be judged purely on the music itself – just well constructed songs with no frills...thus ‘Bells and Whistles.’”

The album unfurls to the listener deliberately, unspooling twisted melodies and building emotions through many of the delicate tricks Blockhead has loaded into his arsenal over the years. From the artist: “Some of my favorite moments are the more minimal ones. Like on "Sacrificial Santa,” the ominous beginning really gets a mood across. On "FTW,” the way it builds is exactly how I saw it before making the song. I think, in general, this album shows my slow but steady progression. I'm never going to veer off and start making trap music or dub step but I feel as though, with my last few albums, I've created my own lane, as far as sample based instrumental hip hop.”

As 2015 gears up, and Blockhead charges on, keep your eyes online as he updates his fans daily through all means of Social Media – whether on his blog www.phatfriend.com, or Facebook, Twitter & Instagram. This aspect of his career has become more and more important – and isn’t something Blockhead takes lightly: “I don't have that thing in me where I feel I'm above just shooting the shit with people. With things like Twitter and Facebook, I'll respond to most questions. I'd like to think it makes the fans form more of a connection and recognize you as a normal person, as opposed to a foreign being who makes music they like.”
Teebs
Teebs
Teebs. Born in New York to Malawi and Barbados origins, Mtendere (pronounced "ten-de-ra") (Chichewa for "Peace") Mandowa, is a producer and painter who bounced around the East Coast before finally planting his feet in the Southern California suburb of Chino Hills.

Early in his musical pursuits, Teebs joined a group of like-minded friends and producers who went by the name 'My Hollow Drum'. Within this crew, he was able to build new ideas, share works and perfect his production craft. Intrigued with what was going on in Los Angeles' evolving electronic scene, he never expected to fall directly into it.

He began interning for the acclaimed online radio stream, Dublab. This sparked his self-expression, spirit and growth as an artist. Being around music, art and a creative atmosphere while brushing shoulders with the artists he admired from the area.

Teebs was accepted into the Red Bull Music Academy for their 2008 edition in Barcelona, Spain. Upon arrival back home, Teebs became even more focused on his music and art. A chance meeting with Flying Lotus led to his involvement and joining of the newly founded Brainfeeder collective. Having previously heard from local producers and DJs about this new up and comer, Lotus didn't hesitate to take Teebs into his circle after hearing some of his earliest beats.



"Teebs has such a unique and tender magic, as an artist, as a producer and as a human being... He's a gifted and rare kind..."

- Mary Anne Hobbs

"Everything he does is gold, he does HIS thing, always has and I suspect, always will."

- Dimlite

"Teebs' music sounds like an island vacation...The way Avatar looks."

- Flying Lotus
Venue Information:
Terminal West
887 West Marietta St. Studio C
Atlanta, GA, 30318
http://www.terminalwestatl.com/