THE MARCUS KING BAND

Terminal West Presents:

THE MARCUS KING BAND

Matt Andersen

Sat, January 7, 2017

Doors: 8:00 pm / Show: 9:00 pm

$10.00 - $12.00

This event is 18 and over

THE MARCUS KING BAND
THE MARCUS KING BAND
Songwriter. Guitarist. Singer. Bandleader. At only 20 years of age, Marcus King's dazzling musical ability is evident throughout The Marcus King Band, the young phenom's 2nd full-length LP and first for Fantasy Records. Operating within the fiery brand of American roots music that King calls "soul-influenced psychedelic southern rock," the album highlights King's gorgeous, rough-hewn vocals, soaring guitar work and heartfelt songwriting all amidst a group of masterful musicians who, together, are quickly becoming one of the country's most sought after live acts.

Raised in Greenville, South Carolina, King was brought up on the blues, playing shows as a pre-teen sideman with his father—bluesman Marvin King, who himself was the son of a regionally-known guitarist—before striking out on his own. Going beyond the sonic textures of his acclaimed 2015 debut album, Soul Insight; The Marcus King Band broadens his sound, touching upon everything from funky R&B to Southern soul and Americana in the process. His band gets in on the action too, stacking the songs with blasts of swampy brass, a lock-step rhythm section and swirling organ. Ever the multi-tasker, King bounces between several instruments, handling electric and acoustic guitar — as well as pedal and lap steel — while driving each track home with his soulful, incendiary voice.

Having spent the past year tirelessly playing ever-larger venues and festivals to a burgeoning fan base, The Marcus King Band was written on the road and recorded during a series of live takes at Carriage House Studios in Stamford, CT. The album captures the energy of the band's blazing live show, as well as the talent of a rising young songwriter reaching well beyond his years.

"The majority of our songs are specific to situations I've lived," King explains. "I write as a form of therapy, to release my emotions into a musical expression. I want people to know they're not the only ones going through that pain. Music is the true healer. And when we perform, we want the audience to leave feeling as tired and as emotionally freed as we do. It's all about getting the stress of the day off your chest. It's like therapy."

The Marcus King Band features Jack Ryan on drums and percussion, Stephen Campbell on bass, Matt Jennings on keys and organ, Dean Mitchell on saxophone, and Justin Johnson on trumpet, trombone and backing vocals. Joining the band on the new album are a number of mentors and collaborators, including Derek Trucks (who plays guitar on "Self-Hatred").

No guest plays a bigger role than Warren Haynes, though. A longtime champion of King's songwriting and guitar prowess, Haynes produced every track on The Marcus King Band (and contributed his trademark slide guitar on "Virginia"), expertly capturing the group's live sound for a cohesive collection reflecting the band's expansive explorations.

"Marcus is the first player I've heard since Derek Trucks to play with the maturity of a musician well beyond his age," Haynes says. "He's very much influenced by the blues, but also by jazz, rock, soul music, and any timeless genres of music. You can hear the influences, but it all comes through him in his own unique way. He has one of those voices that instantly draws you in, and his guitar playing is an extension of his voice and vice versa."

A childhood introvert who leaned heavily on music as a way of expressing himself, King fills The Marcus King Band with a mix of biographical tunes and fictional story songs. "At the time I wrote 'Self-Hatred,' says King, "the girl I was seeing really hurt me. Broke my heart, took all of my insecurities and used them against me…she told me she hated herself for what she had said and done to me. I told her I knew exactly how it feels to hate yourself. 'Self-Hatred' is within you and me."

"Devil's Land" is loosely based on his grandfather, who worked on a farm during his younger years, while the story behind the track "Rita Is Gone" was inspired by the television show Dexter. Meanwhile, songs like "Guitar In My Hands" peek into King's personal life — a life filled with highway mile markers, truck stops, and a nightly rotation of stages, all waiting to be filled with the sound of a genre-bending band on the rise.

"This album is a big melting pot of different kinds of music," says King. "It's the sound of everyone taking their own influences and collectively coming together as a group. We're all really hungry to play, and we're so passionate about this music. I want people to feel the same thing we feel — to leave the show feeling some sense of release. It's almost like the show ends, and everyone can take a deep breath together."
Matt Andersen
With over 2 million views on YouTube, independent sales over 30,000 albums, a 2013 European Blues Award, and winning Best Solo Performer at the Memphis Blues Challenge, it appears that the entire world is now discovering Matt Andersen. A powerhouse performer with a giant soul-filled voice and commanding stage presence, Matt has built a formidable following the old fashioned way – touring worldwide and letting the converted audiences and Andersen devotees spread his reputation through word of mouth. Now with Weightless, his debut album for True North Records, Matt's music has been captured on record as never before.

With Weightless, the New Brunswick native shifts his formidable talents as a blues performer to his song-craft. His reputation as a bluesman won him the 2013 Euro Blues Award for Best Solo /Acoustic Act, three Maple Blues Awards in 2012, and nabbed him 2010 International Blues Challenge in Memphis. "The blues is a big part of what I do, and in my solo show some tunes are straight-up blues, for sure," he says. "But I would never stand beside B.B. King and say, 'I play blues, too.' None of my albums are blues albums—I've won blues awards with them, but I wouldn't say they're blues albums."

That's more than evident on Weightless, where Andersen comes out of the gate swinging with I Lost My Way, one of two co-writes with Joel Plaskett, where he is singing a soul/gospel melody over a reggae groove. Then he channels Van Morrison on My Last Day, before delivering a gorgeous country ballad co-written with David Myles, So Easy. With Dave Gunning, Andersen tells the all-too- common tale of Maritimers heading west to work on the oil sands, in Alberta Gold. Hamilton's Tom Wilson helps craft a rockabilly ode to a battered rust-belt town, City of Dreams, while Andersen's Wolfville, N.S. neighbour Ryan Hupman lends a hand on three songs, including the title track, Between the Lines and the spiritual What Will You Leave.

"Writing with Joel Plaskett, he's always thinking about the hook and has a real melodic quality. I like having different angles on there. Dave Gunning is a really great storyteller, so the songs I wrote with him have more of a storytelling kind of vibe. A lot of the tunes I wrote with Keith Mullins were more a different groove than I'm used to; he's a drummer who played with me a lot, so he brought a different sense of rhythm and phrasing. Writing with Tom Wilson was trying to play catch-up, because he just keeps writing and writing."

"They're all people I'd hang around with outside of music, so it's more friends just doing what friends do," says Andersen, who adds that he didn't feel any pressure on his first album with fully label supported international release. "It was nice and relaxed, a great way to write. If I write a whole album by myself it sounds like me too much, where every song sounds the same, and I'm always leery of that.

"It keeps it fresh for me; every tune has its own personality, which I really like. I realize I write better when I write with someone, it keeps you from settling for a lyric. I go that extra mile. Going back and forth with these people, we get the best out of the idea we could."

Something you won't hear on Weightless, extended guitar solos: Andersen will let you wait for his live show for that. "It's fun to do, but on albums I want to focus on the songs more. I don't want it to turn into something where every tune is a big wank. There's just enough on the album that you can hear there's some great playing, but it's not a big instrumental feature. I don't put myself out there as a guitarist; I think I'm more known for singing, and then guitar playing after that."

Andersen's extensive discography boasts seven albums, including one Christmas album, one live album, and two albums with harmonica player Mike Stevens. His most recent album, 2011's Coal Mining Blues, was produced by Colin Linden and was recorded at Levon Helm's studio in Woodstock, N.Y. This time out he turned to Steve Berlin of Los Lobos for production duties; not only was Andersen a fan of that band, but he was surprised to find out that Berlin produced his favourite Tragically Hip album, Phantom Power. Berlin brought Calgary guitarist Paul Rigby on board, who is best known as Neko Case's right- hand man. Anyone who's ever been wowed by Andersen's guitar chops might wonder why he'd need another guitarist, but he says, "Paul is the kind of guitar player I'm not. He had great melody ideas for arrangements and guitar parts; I had to learn my songs again after Paul was done with them."

One thing Andersen won't be doing in the near future is learning other people's songs to flesh out his set. (Andersen plays at least 200 shows a year). That's despite the fact that a performance of him transforming Bill Withers's "Ain't No Sunshine" has over 855,000 views on YouTube. "When I first started playing, I did a lot of bar gigs, just like anyone," he says. "Then when I transitioned into my own stuff, I didn't have a whole lot of original material. And in terms of confidence, when you know what you can get out of a crowd by playing 'Ain't No Sunshine,' it's pretty easy to go with that to get their attention. I did that for a while; in retrospect, probably a bit too long. Now that 'Ain't No Sunshine' clip is most people's introduction to me, what they're drawn to—which is natural. It's been a struggle, but I've shaken off the easy route and focused more on my own stuff at shows."


After hearing the instant classic material on Weightless, it's hard to imagine any fan of Matt Andersen—old or new—leaving unsatisfied.
Venue Information:
Terminal West
887 West Marietta St. Studio C
Atlanta, GA, 30318
http://www.terminalwestatl.com/